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& Dances
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Music Instruments: Percussion
Different
kind of drums form this group of musical instruments. They are of various
kind : two sided drums, the shallow rimmed and single faced. The twin
faced drums include the tiny damru or dugdugi of the Kalbelia and the
madari (juggler) and the obliquitous dhol from which the dholi derives his
caste name.
The Bhils use the maddal, a folk versions of moisang
which has a body of baked clay and gives a booming sound.
The single faced
and shallow rimmed drums are the day and the chng. The dang is the biggest
and with a parchment pasted on its rim, is a big favourite of the holi
revellers. The players strikes the center with his left hand and the edge
if the membrane with a stick attached to a fingure of right hand. A second
player beats out a faster rhythm along the rim which is called chippi
lagana.
The smallest member in this group is the Khanjri, and
its variant is the Dhapli. They are used by the kalbelias. Single faced
instruments are played singl
y
or in pairs. The largest single conical drum is the bam of Bharatapur. The
Dhonsa and Damama are also big single drums. The nagara or naggara are two
conical drums, one biggest than the other. Played with the surani and
Nafeeri, they form the orchestra for the folk opears. The Bhils, Garasiya
and Sahariyas use the Kundi, a single, small conical drum, while the
nagaru-mishan has two bowl shaped drums and is used by the Jasnathi
Siddhas, among others.
The tasa or tasha is like a covered thali
and used in Moharram processions. The Matkas of Pabuji and the ghada are a
pair of huge earthernware pots, their mounth covered with membrane. One
player plays wach matka, and the bhopas use it to accompany their singing.
The Meghwals along the Indo-pak boarder play the ghada, an ordinary
earthen pot. With amazing effect.
The ring worn on a finger of
the right hand beats out the rhythm while the player products a blooming
sound by blowing in to the mouth of pot. The whole effects is heightened
by the graceful dance of player.